W.T. Pfefferle
Composition Syllabus
Required
Texts:
QA Compact, Lynn
Troyka & Doug Hesse. Prentice Hall, 2006.
Higher Learning,
Patti See & Bruce Taylor. Prentice Hall, 2005.
Course Objectives:
This course
“develops
satisfactory proficiency in basic skills of composition and reading
comprehension. Students must demonstrate their ability to produce a
portfolio
of literate, reasonably logical, and perceptive short themes. Grades
given are
A, B, C, or X (conditional incomplete – to be satisfied by repeating
the
course).” By the end of the course, you should demonstrate
college-level
reading, thinking, and writing proficiency by producing a three-essay
portfolio
that satisfies college-level writing criteria. Some essays will be
based on
assigned readings. You will brainstorm, outline, draft, edit, write,
and revise
a number of essays. Some will be written out-of-class and some
in-class. To
demonstrate proficiency, you must:
- organize
ideas that are appropriate to assigned length, purpose, and audience,
- support
generalizations using appropriate and logical modes of writing and
thinking,
- use
English language grammar and diction appropriately,
- paraphrase
and quote sources correctly,
- and
demonstrate reading comprehension and critical thinking skills in your
essays.
General Outcomes:
This course
contributes to
the purpose of Georgetown College by helping students develop skills in
critical
reading and thinking, analytical reasoning, and effective communication.
Academic Honesty:
I expect you to be familiar
with and to comply with the college's Honor System. If I discover that
you have
plagiarized, I will report your name to the Honor Council, and you will
fail
this course. There are no exceptions to the policy. For more
information about Georgetown’s Honor Code, check this website:
http://spider.georgetowncollege.edu/
honorsystem.htm. To commit plagiarism means to present the ideas and/or
words
of someone else as one’s own. The someone else could be your roommate,
your
pal, William Shakespeare, some guy on the web, etc. You commit
plagiarism if
you use anyone else’s ideas as your own without credit. You commit
plagiarism
if you use (without proper attribution):
- any
part of another person’s book, article, essay, speech, or ideas.
- any
part of an article in a magazine, journal, newspaper; any part of a
book, encyclopedia, CD-ROM, online database, online magazine or
newspaper, webpage, blog, etc.
- any
idea from another person or writer, even if you finally express that
idea in your own words.
Essays:
During the
semester you will
write and revise eight essays. The essays will vary in length, but
usually the
range is 2-5 pages. A typing format for the final versions of these
essays will
be shown in class. You may rewrite one essay for a higher grade if you
choose. Occasionally,
if a paper is deficient in a number of ways, you’ll be given a “RW”
grade. That
means you must rewrite the paper for
a grade, and this would not count against your opportunity to rewrite
another
paper on your own later. It is crucial that you keep all of your drafts
for all
of your essays as that will be useful to us as we put the final
portfolio
together. All essays have due dates. Essays must be turned in to me in
person ahead
of or on the due date, or you’ll receive a zero.
Attendance:
There is no
attendance
policy. Students who attend and take part do well in class, and those
that
don’t, usually don’t. Not being an active and helpful class member will
certainly negatively impact your class grade (see below).
Portfolio Requirement:
In addition
to earning a
passing grade for the work you do for me, you must also satisfy the
English
Department’s “portfolio” requirement. You will receive an X for this
class if
you do not earn a C average on the work you do for me, or if you do not
complete a passing portfolio. Generally, about 1/3 of all first time
111
students receive an X.
The portfolio must contain:
- 1
passing essay that has been written in class
- 1
passing essay that is in response to a reading assignment
- 1
passing essay that has gone through multiple drafts
All of our
out of class
essays are multiple draft essays, so you’ll have a number to choose
from. We do
at least 2 essays that are response papers, and most in-class essays
also
result from a text or prompt. Because the in-class essay is often the
toughest
for many writers, you will have several opportunities to write a
passing
version of that type. (Some of these don’t count for your final score,
but may
be necessities for completion of your portfolio.)
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If at
semester-end your
portfolio does not contain three passing essays of the types noted
above,
you’ll receive an ‘X’ for this class. That is not the same as an F. It
stands
for "conditional incomplete." It means that you must repeat the
course next semester. While you will not receive credit for the course
until
your complete it with an A, B or C grade, your GPA will not be
adversely
affected by the X.
Grading & Grading
Standards:
In addition
to completing a
passing and “X-free” portfolio, you must earn enough points on your
assignments
to earn a passing grade. You do this through the successful completion
of our 8
essays. Let me show you a grid that explains that part of things:
|
E1
6
|
E2
6
|
E3
6
|
E4
6
|
E5
6
|
E6
6
|
E7
6
|
E8
6
|
Class
12
|
You can see
that all essays
are worth 6 points. There is a subjective “class” grade that you earn
based on
your participation and performance in class. As you earn points along
the way,
you have the following levels to shoot for. I give you this so you can
keep
track of your own status during the semester. Additionally, you must
complete a
three-essay portfolio (described above) by semester-end in order to
pass. Portfolio
essays must be 3 points or higher. I will drop the lowest essay score
from the
semester, and just count the highest 7 grades.
|
Letter Grade
|
Points Needed
(out of 54)
|
|
A
|
43
|
|
B
|
36
|
|
C
|
27
|
|
X
|
0-26 or X Portfolio
|
Essay
Grades:
Score
|
Grading Narrative
|
|
6
|
This is an extraordinary piece of
writing. It forwards an indisputable thesis that is supported
throughout the essay. It is structurally sound, with clear, convincing,
and apt transitions between paragraphs. The essay has “movement”
or “flow” toward its stated purpose, and is appropriate in language and
style for its audience. The writing is clear and controlled, and
the language is often sharp, effective, and interesting. The essay is
original, forceful, and compelling. It is wholly free of spelling,
typographic, and/or other grammatical errors. It is polished, clean,
and a pleasure to read.
|
|
5
|
This is also a superior piece of
writing, something like an “A” paper. It clearly and adequately
forwards a thesis that is almost completely supported throughout the
essay. The language is sharp. The paper is clear, focused, and free of
spelling, typographic, and/or grammatical errors. It is separated from
a higher scoring essay by the relative dearth of originality and/or
style.
|
|
4
|
This is a good piece of writing,
something like a “B” paper. It’s very solid work, but lacks some of the
innovation and sharpness of higher scored papers. Good thesis, mostly
supported throughout the essay. Transitions are here, but are not
compelling or not vital. There are very minor spelling, typographic,
and/or grammatical errors. It typically contains certain shortcomings,
notably routine errors, occasional monotony in expression, lack of
originality, ambiguity in purpose, or some lack of precision and
economy in use of words.
|
|
3
|
This essay is an average piece of
writing, acceptable college work. It meets the requirements of the
assignment, but does not go beyond the assignment in any way. There is
likely a thesis, but it is either far too broad or narrow, or merely
not supported throughout the essay. There are likely transitional
flaws. Language is likely okay, but flawed with awkwardness and/or
imprecision. Most likely there are spelling, typographic, and/or
grammatical errors, but not so much as to hinder a normal reader from
getting the point of the essay. There is nothing outstanding,
compelling, original, or thought provoking in the essay. It lacks
originality, significant purpose, or point of view.
|
|
2
|
This essay is a below average piece of
writing. It falls below acceptable college standards. It may
partially address the assignment, but it surely lacks any expected
insight as to the goal of the essay. Frequently, its writer has not
understood the assignment and therefore does not address or respond to
a definite purpose. It may express a thesis, but it is likely
inappropriately sized for the assignment. Paragraphs exist on their own
without adequate movement. The language of the essay is flawed.
Sentences are poorly constructed and spelling, typographic and/or
grammatical errors appear frequently. It likely contains some of these
flaws: monotonous sentence patterns, imprecise use of words, rambling
organization, and repetition of ideas. It is crucial to visit the Writing
Center and seek
extra assistance if you have an essay with this score on it.
|
|
1
|
This grade is only given to an
unacceptable piece of writing. It has a rich variety of flaws. It may
have no thesis or support. There are flaws of organization and
development. It likely includes an unacceptable number of spelling,
typographic, and/or grammatical errors. The essay shows no real
understanding of the assignment. An essay that receives a failing
grade does not automatically mean a failing grade in the course.
|
Class
Grade: This is a subjective
grade
based on participation and performance. If you come to class every day,
and are
a regular member of our conversations, workshops, etc., and if you
demonstrate
through your revision process and conference attendance that the
betterment of
your writing is your main goal, then you have a very likely shot at
getting a top score for this grade. But
ANY let down in
those areas mentioned above will drop you to a lower score. Generally,
folks do
well on the class grade. You don't have to talk ALL the time, but you
should be
a positive and active force all semester. I will attempt to make clear
in class
if you are NOT meeting my expectations through the mid-term “early
warning
report.”
|
11-12
|
A superior
student, someone who has unfailingly aided the development of fellow
writers, and who has been a consistently and dazzling force in our
class all semester long.
|
|
9-10
|
Someone who has been a reliable and
constant positive force in class and who has never missed a class,
conference, workshop, etc.
|
|
7-8
|
A reliable
and constant positive force who may have missed a class, conference,
workshop, etc.
|
|
5-6
|
A mostly
positive force in class, but sometimes unprepared to fully engage us.
|
|
3-4
|
Someone
who has not contributed enough to be a positive force, either through
poor attendance, poor participation, or poor preparedness.
|
|
0-2
|
Someone
who has been a negative force in the class.
|
Schedule: (tentative & subject to change)
Essays are denoted with their possible portfolio designations: MD (multiple draft), RR (reading response), and/or IC (in-class.)
8.30 Syllabus
distribution. Class
introduction. Diagnostic essay assignment. Magazine ad.
9.1
Discuss Chapter 2 of Reid (17-33).
Bring a recent magazine ad. Assign E1 (MD or RR).
9.6
Rough draft of E1 due in class. E1
Workshop.
9.8
E1 due in class. Discuss Chapter 3 of
Reid (52-60, 81-88). Assign E2 (MD).
9.13
Observed data due in class for E2.
9.15 Rough
draft of E2 due in class. E2
Workshop.
9.20 No
class. You’ll meet with me
individually in my office for E2 conferences.
9.22 No
class. You’ll meet with me
individually in my office for E2 conferences.
9.27 Discuss
Chapter 5 of Reid (158-178). Assign
E3 (IC or RR).
9.29
E3 takes place in class. Bring looseleaf
paper, multiple pens, and a dictionary.
10.4
Discuss Chapter 8 of Reid (362-370,
388-393, & 396-405). Assign E4 (MD).
10.6
Topic & Criteria Workshop.
10.11
Rough draft of E4 due in class. E4
Workshop
10.13
No class. You’ll meet with me individually
in my office for E4 conferences.
10.18 No
class.
You’ll meet with me individually
in my office for E4 conferences.
10.20
E5 (IC or RR) takes place in class. Bring
looseleaf paper, multiple pens, and a dictionary.
10.25
E4 due
in class. Discuss Chapter 7 of
Reid (304-314, & 356-358). Assign E6 (MD).
10.27
Topic day for E6. Bring at least two
possible topics and be prepared to pitch them to us.
11.1 Rough
draft of E6 due in class. E6
Workshop.
11.3
TBA
11.8
E6 due in class. Outside readings
provided.
11.10
Discuss Chapter 11 of Reid (554-563).
Assign E7 (MD or RR).
11.15
Bring to class the lyrics to at least one
song. (You can bring a CD, too.)
11.17
Rought draft of E7 due in class. E7
Workshop.
11.22
No class. Optional conferences as
scheduled.
11.24
No class. Thanksgiving Holiday.
11.29
E7 due in class. E8 readings distributed
in class.
12.1
Portfolio Day. Bring all past essays
and all drafts.
12.6
E8 (IC or RR) takes place in class.
Bring looseleaf paper, multiple pens, and a dictionary.
12.8
TBA
|